Fine
antique oriental 19th-century Serapis include some of the most desirable and
rare antique carpets in larger sizes. Woven in the rugged mountains of Northwest Persia, Serapis are a distinct Heriz region style of
antique oriental rugs, with finer knotting and more large-scale spaciously placed designs than other rugs from this area.
Although it was the grandest of the
antique oriental carpets in the Heriz styles, Serapi style
antique carpets are seldom seen after 1910, because of the remoteness of the
mountains in Northwest Persia presented. Antique carpets had to be taken by
their weavers to Serab, 30 miles distant, to be marketed. "Serapi" is
not a place or tribal name; rather it is a market term derived from
"Serab-i," meaning "of Serab".
Serapi
antique carpets combine design elements borrowed from many traditions. The
bold geometric designs are probably connected to the
antique oriental carpet tradition of tribal Caucasians across the Aras River to the north. The elegant court
carpets of Tabriz to the west certainly would have influenced the
weavers' understanding of balance and the central medallion format of an
antique oriental carpet.
Serapi
antique carpets were woven on the level of a family or small workshop
with multiple weavers working several years to complete each
antique oriental carpet. The
weaving was done almost exclusively by women. Highly skilled artisans,
they continually reinterpreted the design as they wove, creating highly
spontaneous and inventive artistry in each
antique carpet. In general, the Serapi
antique carpets made in
small workshops are more finely woven and formal, and pieces woven on a
family level are more rustic and symbolic in design.
The women of this area were master dyers able to deeply dye the
superb, silky, local wool with a great range of soft-shaded or
"abrashed" color. The wide palette of hues in the
antique carpets came from many
carefully brewed plants and minerals, colors for which the recipes are now lost.
Watermelon to terra cotta tones came from madder root. The
blue tones,
from sky and aqua to periwinkle and deep navy, came from the indigo
plant.
Gold and yellow tones are from chamomile and a variety of other
plants. The weavers also frequently used large areas of undyed and
unbleached wool, whose ivory and camel tones provided contrast to the
wide range of vegetable color in the
antique oriental carpet.